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In he founded the Galerie Fuchs-Fischoff in Vienna to promote and support the younger painters of the Fantastic Realism school.
When he was 12 years old, he converted to Roman Catholicism his mother had him baptized during the war in order to save him from being sent to a concentration camp.
In , he entered the Dormition Abbey on Mount Zion where he began work on his monumental Last Supper and devoted himself to producing small-sized paintings on religious themes such as Moses and the Burning Bush, culminating in a commission to paint three altar paintings on parchment, the cycle of the Mysteries of the Holy Rosary —61 , for the Rosenkranzkirche in Hetzendorf, Vienna.
He also dealt with contemporary issues in his masterpiece of this period, Psalm 69 — Fuchs, , p. Fuchs returned to Vienna in and had a vision of what he called the verschollener Stil Hidden Prime of Styles , the theory of which he set forth in his inspired and grandiose book Architectura Caelestis: Die Bilder des verschollenen Stils Salzburg, He also produced several important cycles of prints, such as Unicorn —52 , Samson —64 , Esther and Sphinx ; all illustrated in Weis.
From on, he embarked on numerous sculptural projects such as Queen Esther h. From , he became involved in designing stage sets and costumes for the operas of Mozart and Richard Wagner , including Die Zauberflöte , Parsifal , and Lohengrin.
He experimented with industrial design in the s with a piece run of the upscale Suomi tableware by Timo Sarpaneva that Fuchs decorated for the German Rosenthal porcelain maker's Studio Linie.
Petersburg , one of the first Western artists so honored. Ernst Fuchs artist. This article needs additional citations for verification.
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Retrieved 9 November Over a decade, Fuchs began to prepare for the publication of his herbal. He stocked the garden attached to his house with rare specimens solicited from friends around Europe, and he assembled a large botanical library.
The first reports of Zea mays and of chili peppers were among the exotic new species. The text is mainly based on Dioscorides.
The book contains pictures of plants, largely growing locally, in woodcuts. It was printed at the famous shop of Michael Isengrin in Basel.
Its appeal to gardeners, botanists, bibliophiles, and the casual viewer was immediate, while the clarity of its plant pictures continues to define a standard for botanical illustrators.
Fuchs's books on the anatomy of the eye and its diseases were among the standard references on this subject during this period.
From Wikipedia, the free encyclopedia. German physician and botanist of the 16th century. Portrait of Fuchs, by Heinrich Füllmaurer , Tübingen, The standard author abbreviation L.
Fuchs is used to indicate this person as the author when citing a botanical name. History of Botany — Oxford at the Clarendon Press.
CS1 maint: multiple names: authors list link and Vines, Sydney Howard In Oliver, Francis Wall ed. Makers of British botany. Cambridge University Press.
Meyer, et al. Iowa State University. Retrieved February 22, Architektur neues Baden-Württemberg. University of Utah. Retrieved October 1, Paris: M.
Annals of Botany. Natural history.